Tonight I went to my second last creative writing class. I had worked on my story most of last Wednesday and for a few hours on Friday night. Oh yeah, this was my Friday night last week, watched Vampire Diaries (yes, another teenage drama featuring not one, but TWO brooding boys for me to sigh over--Damon is my favourite) and waited until I started to feel sleepy before I attacked my story again and finished it. I've been finding lately that the writing flows best when sleepiness dulls the inner critic a bit. After a good two hours of work I then left the story until Sunday afternoon when I did some editing before sending it in for the 6pm deadline.
I didn't feel good about the piece. I had a story in mind that I wanted to play out, but what I wrote didn't do it for me. I figured this was just me being overly critical of myself, which I often am. Whenever I used to hand something over to Michael at Good-Wooden Leg to read I would preface it with "I don't like this, or, "I had a hard time writing this part and I don't know if I quite got it right". Michael told me to stop doing that, which is one of the best and most universally applicable rules anyone has ever given me. I still struggle with it though. When I sent in this assignment a few people had already emailed theirs and made comments about being unhappy with their product so I too noted that I wasn't happy with mine.
Even though I knew we would be discussing the stories, I didn't feel anxious about talking about mine and facing the critiques until my instructor said to the class, "I have to admit, I was disappointed in this week's work. It was not at the level I feel it should have been for an intermediate class."
At that point I started wondering if I could take off during the 7:30 break and not come back. I wasn't being hard on myself apparently, my work really did suck. Oh God, why did I write that thing? Why did I let myself get all swept away by it? I knew it wasn't strong. I knew I didn't have all the pieces I needed to make it work. I was mad at myself. One of the women in class had written this really great short story--a complete piece of work. I could have done that. I could have taken something from my blog and re-purposed it or come up with something original and written a complete short story but instead I had to go all ambitious and try to write an amazing first chapter of an epic tale of greed, motivation, deceit and sisterly love. I thought about the Post-its on the wall and the notes in my book and wondered why I wasted that time just to come up with the stinker I drafted. Now I was going to hear confirmation from my peers about how awful it was. Yay.
I had handed the story over to my mom on Sunday night for her opinion. She read it during the slower moments of Brothers and Sisters. She pointed out a typo half-way through and said "it's good" upon finishing it. And then I remembered why I never share my writing with my parents and why I repeatedly asked them not to read my blog. I think the last thing my mom has enjoyed reading of mine was a story I wrote in grade two about a man who lived off of potato salad sandwiches. And okay, maybe asking her opinion is a bit like the woman asking her husband if these pants make her look fat, but every time I've tried to share something I've written with my mom she's come back with an "oh, that's nice" kind of response, which to me always sounded more like "oh, that's weird Jill. Why do you keep trying to be a writer anyway?" In grade three I wrote a story about a divorced mother dating a man who doesn't like it when the woman puts her infant girl in dresses. Yes, I've been odd since at least the age of eight. But anyway, how much worse of a critique could I get in class than the quiet review from my mom and the scathing one I give myself?
I think my story was the third one to get critiqued. I braced myself with reminders that it would probably only be five minutes of discussion on how this was cliche and that was weak and the main character was flat. I do have a beautiful imagination, but if it could only dream up scenes for me better than it can imagine critiques, I could be a real success. As it turned out, yes, there were some identified areas that could be tightened up, but there were some parts that really worked for people too, parts that either I didn't really think about or that I worried came across as bland. My instructor even called my last paragraph "poignant".
So now I have the option of editing this piece and making it stronger, or starting fresh with something completely new. I'm not going to look at it again until Friday night (after Vampire Diaries--sigh, now there's a story I'd like to have my name attached to). In that classroom tonight I was ready to throw that story away and never think of it again. But that's what I always do and this year is about change, so I'd like to try to do this differently and see what happens when I stick it out until the thing starts to grow on me.
Here, let's end this post of discomfort with something really bad in a good, sexy way. Allow me to introduce to you Ian Somerhalder, aka Damon Salvator, who definitely does not stink:

See that? See what he's thinking there? I betchya it's: I am grumpy and brooding because I do not have a sunshiney, odd little blonde girl in my life to make me laugh and tell me stories about men who live off of potato salad sandwiches.